Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc
Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc

Small coal kiln Zhu Ni teapot, fully handmade capacity 100cc

Regular price $445.00 $0.00
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Good tea is matched with good utensils. Those who have high requirements for tea are no exception to utensils. The raw material level of purple clay pots almost directly determines the value of pots and utensils. "Good mud and good craftsmanship" is a fixed rule. , Zhu Ni, is a kind of red mud with special properties in the purple sand red mud. It is praised as the high-quality mud in the purple sand red mud. Between the surface clay layer or the framework soil and the tender mud ore layer, it is a kind of tender mud mineral material formed by the weathering of the bluish-white tender mud. The place of origin is also known as Huanglongshan Zhu N, Zhaozhuang Zhu Ni, Small Coal Kiln Zhu Ni, etc. Today, this "Small Coal Kiln Zhu Ni Ball Pot" with a capacity of 100cc  is difficult to make and burn, easy to soak, and the real purple sand The craftsman knows that the soul of a pot is not in his hands, but in his heart. He faces difficulties and goes through trials and hardships. His inner persistence and love have made his exquisite pot-making skills today. Ni craftsmanship: handcrafted by Mr. Xia Qing, "good materials and good workmanship" can create such a beautiful pot. This ball, the moment you start it, makes people feel amazing, oily and full, and the surface is full. The orange peel on the top is slightly folded, like vertical water ripples, and the wind ripples. When you touch it, it is like cream and fat. It can be seen that the kiln fire is in place, the details are very elegant and polished, and the lines of the pot body are very smooth. All in one go.


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