Wood-fired utensils, like rocks, dead wood, and moss, are natural and simple, but also like golden stones. They are loud and sound. In the irregular shape, they are natural and simple. Wood-burning is the oldest ceramic firing process in China, which can be traced back to the earliest Neolithic period. The development of Chinese ceramics is a process from simplicity to refinement, which embodies the process of the aesthetic psychology of the Chinese nation. Tongxinshe Teahouse today recommends the "Jingdezhen Firewood Teapot" with a capacity of 120cc. The beauty of firewood comes from its unpredictable nature. The perfect combination of artificial and natural skills, the texture and color of wood-fired works, as well as the ashes and fire marks left by the kiln fire, reflect the natural beauty of simplicity, simplicity and restraint, just like the thick and heavy at the beginning of the chaos of heaven and earth. , One utensil and one style, there are thousands of changes, and the hand-kneading utensils can best reflect the warmth of the utensils. Every kneading is an integration of ingenuity and ingenuity. It is precious in the primitive simplicity, and it is intended to return to the original and return to the original. In the calm style of the past and the present, it interprets the impermanent changes of all things. Its success or failure depends on the soil, fire, firewood, and kiln. The relationship between them is intertwined.
In the vertical refining of firewood, the blending of earth and fire through the fire marks leads to red pomegranate, black pomegranate, flax, flashing silver and other colors, and even a piece of work presents a colorful luster. With the cooperation of mild fire, the surface can also show mottled spots. The special effect of the shape, witnessing the beauty of warm, honest, calm and restrained wood burning, wood burning is a great test for the craftsman's firing skills, and it is not something that ordinary craftsmen can grasp. , air pressure, air humidity, and even the placement of the green body will have an impact. Not only will a kiln burn a lot of firewood, but also because of many uncontrollable factors, the yield will be lower.
The raw ore raw materials, red mud and purple mud, after firing, the utensils are naturally formed, with obvious layers, endless changes, and more texture. Firewood also gives the utensils a clumsy flavor and uniqueness. Taste and flavor. The natural falling ash glaze gives porcelain a unique texture, with colorful and warm colors, rough and powerful texture, and rich glaze layers. Beautiful, but not without fireworks!
Today, this purple sand wood-fired sketch pot, the delicate and delicate metal of curium silver crafted on the mouth of the pot and the simplicity and roughness of the pottery pot, are harmoniously integrated in a pottery pot, using the aesthetics and creativity of contemporary people, to traditional A new interpretation of wood-burning craftsmanship, handmade crops, the key is how to look at the world. Firewood reflects not only craftsmanship and technology, but also a return to the original in terms of concepts, aesthetics, and mood. Zisha wood-fired hand-kneaded sketch pots focus on creating a new-style tea drinking culture that is healthy and natural.
Returning to the basics, suitable for Tibetan and play, pursue freedom of mind, pay attention to ancient charm and ancient flavor; create a subtle, more intriguing utensils the more you look at them, the more you like them.