When we are going to have a tea ceremony, arrange the tea banquet carefully.
Have you ever considered how to choose the most important tea utensils on the tea table?
At the tea ceremony, the teapot is often the first visual focus. Some people use tureen, simple and natural;
That's it, in the tea ceremony, a good tea utensil can speak by itself, and through the utensils, it can convey the tea maker's aesthetics and seriousness in treating tea.
Today, Tongxinshe Teahouse recommends to you the global limited edition of 300 pieces of "Gulunzhu-Dielianhua Sterling Silver Pot" with a capacity of 220ml.
The design of the teapot is inspired by an expression method of overglaze color on porcelain in the Qing Dynasty. Finely carved peonies, chrysanthemums, camellias, roses, lotus, lilies, morning glory and other flower patterns set off the elegance and luxury of the utensils themselves.
This pot presents the traditional theme of butterfly flowers with the rare "Hundred Flowers Not Showing the Ground", which is only suitable for Chinese auspiciousness.
"Hundred flowers are not exposed" originally originated from the carving process. Craftsmen used the form of relief to carve patterns without leaving any space, generally carving flowers, so people vividly call it "Hundred flowers are not exposed", but the real development is greater than porcelain. Decoration is a way of expressing the color on the glaze of porcelain. It is covered with brocades of flowers, and the flowers are like celestial maidens scattered flowers, floating in the air, which is extremely rich and dense.
Decorations with such complicated processes and thriving patterns must have been born in a prosperous and prosperous age, and the "Hundred Flowers Not Showing the Ground" developed to its peak during the Qianlong period. Now we re-interpret it with chisel carving technology to highlight the beauty of the times in China.
The center of the body of the silver pot is engraved with peony, the king of thousands of flowers, surrounded by lotus, morning glory, chrysanthemum, and layers of roses. Some stamens are inlaid with cloth mesh gold, as if a long-overdue butterfly fell into a flower pond. This form can test the craftsman's chiseling level, especially a silver teapot full of workmanship and chisel has a fresh and fresh charm in the hands of the craftsman.
The natural aesthetics of returning to nature comes from our inner self-confidence and calmness, and we can see true beauty in the ordinary, with round beads - Die Lian Hua sterling silver pot.