Blue and white porcelain is one of the four traditional famous porcelains in Jingdezhen. It has a white background and blue color. It is shiny and elegant, flashy but not gorgeous. It is the first choice for porcelain lovers in the past. Today Tongxinshe Teahouse recommends this "little gaiwan by the river with mountains and rivers, mist and rain". The capacity is 100cc, it is elegant and elegant, with fine hand-painting and warm glaze, fully demonstrating the vitality of Chai kiln blue and white.
Every detail of this gaiwan is exquisite. Using Jingdezhen's local kaolin as the clay, it is refined with ancient methods and carefully proportioned, and a self-prepared antique glaze is used. The body is plump, greenish with a jade texture, and is thicker. Made of raw ore blue, white and red material, the hair color is authentic, simple and elegant.
Firewood kiln firing is one of the great charms of this gaiwan. Firewood kilns pay attention to inheritance, and the production and kiln firing techniques have strict standardized processes and standards. The kiln temperature must reach above 1300 degrees, and only pine wood with large grease can be burned. It is time-consuming and labor-intensive to grasp the temperature of each area in the kiln. The above-mentioned masson pine is used as fuel. Pine is rich in rosin. The rosin has a moisturizing effect on the ceramics and can make the cup burn with a white and slightly bluish porcelain body effect and an oily texture. Strong, beneficial to the color of porcelain.
This gaiwan is made of natural glazes fired in a firewood kiln. The glaze has a high degree of fusion, a simple and durable color, and a thick and moist glaze that feels like fat, smooth but not greasy. The whole body of gaiwan is fully worked, with elegant and fresh tones, splashing ink on the water town on the porcelain, recreating the scene of the "Misty Rain Riverside" of the water town in the south of the Yangtze River. After the outline of the trees is drawn using the double-outline method, it is filled with light ink. The roots of the trees are hidden, which further shows the toughness of the trees. The mountains and rocks appear mottled and thick. The picture is full, the brushwork is precise, the workmanship is elegant, the strokes are smooth, and the layers are rich. Beautiful and elegant. The blue and white hair color is rich and clear, the color is calm, the shades are combined, the picture is vivid and aura, exuding a simple, rich and ancient beauty.
This gaiwan is dignified and elegant, suitable for both appreciation and use. The lid button is high and the rim is turned outward, making it easy to hold and prevent scalding. Both the lid and the bowl body form an independent landscape painting of their own, which is naturally clear and distant. When the two are combined into one, it is more complete and vast, and the artistic conception is far away.