Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml
Bamboo Gai Wan 160ml

Bamboo Gai Wan 160ml

Regular price $150.00 $0.00
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Today I would like to share a bamboo Gaiwan with tea friends. From design to culture, Chinese culture has a "Tibetan" spirit. Compared with the West, Chinese art is more subtle and introverted. It will not be expressed in any place.  In addition to the "straightforward" response information, in addition to the design of daily utensils, the prevailing styles of China and the West are very different. The expression of "Tiang" is imprinted in the East, and the cultural roots accompany a person's life.  Cultural background, and knowing your own cultural environment is the basis for creating artistic works that conform to your own cultural spirit. For example, the image of bamboo is imprinted in Chinese culture. It is a symbol of backbone, integrity, and steadfastness. It also symbolizes life.  The flexibility, the spiritual truth, many people with lofty ideals in the past have often praised bamboo, chanting bamboo, painting bamboo, and writing bamboo. They have an open-minded, bright, chic and upright gentleman style. People in the world often use bamboo to express their emotions or take the quality of bamboo for themselves.  The development direction of character, the stable attribute of Chinese culture is very high, and the types of art works carried by this are relatively stable. Due to the influence of Western learning and the reform and opening up, traditional artists have also begun to try to use Western "straightforwardness".  The combination of "white" method of creation can also create a different kind of charm. The hollow bamboo represents the character of emptiness. Its branches are bent but not bent. It is the principle of being flexible and rigid.  Lu is a symbol of high wind and bright festivals. Look at our blue and white bamboo, the bamboo joints are straight and powerful, and the leaves are stretched and shaped. The beauty of the utensils is closely related to every detail and painting work. Bamboo is hidden in Gaiwan. The key to painting bamboo lies in correctness.  The choice and generalization of bamboo branches and leaves are natural and express the infinite vitality of bamboo in one go.

The intensity and light are contrasted, and the wit is full of fun. From the bamboo into the utensils, I would like to be the connotation in the eyes of the literati, a kind of attitude to life, make a cover bowl from the picture to the shape, the glaze color  An integrated beauty expresses this unique oriental art. Nothing or a bamboo can change the status quo of life, but when slowing down, I occasionally admire a cluster of bamboo and express the elegance of ancient sages.

今天和各位茶友分享一款竹子Gaiwan,从设计到文化的整个过程,中国的文化有一种『藏』的精神,中国的艺术相对于西方是要含蓄内敛的了不会任何地方的宣传表达都要“直白”的反应信息除此之外日常生活的器物设计上面,中西方盛行的风格相差甚远这种『藏』的表达寓意是有东方印记的,文化根脉是伴随一个人一生的文化底色,而认识自己的文化环境才是创作符合自己文化精神的艺术作品的基础,例如竹的形象印记在中国的文化中,是有骨气、有气节、坚贞的象征,同样也象征着生命的弹性、精神的真理,历代多少仁人志士常赞美竹、咏竹、画竹、写竹,它们有着虚心亮节、潇洒挺拔的君子风度,世人常用竹来寄托自己的情感或以竹的品质为自己品格的发展方向,中国文化的稳定属性很高,由此承载起来的艺术作品种类也就相对稳定一些,而由于西学东渐以及改革开放的影响传统的艺术家们也开始尝试用西方那种“直白”的方式进行创作这种结合也能创造出一种别样的韵味,竹子空心代表虚怀若谷的品格,其枝弯而不折,是柔中有刚的做人原则生而有节、竹节必露则是高风亮节的象征,你看我们青花的竹,竹节直而有力其叶舒展有型,器物的美正是和每一处细节,画工息息相关,竹隐一Gaiwan,画竹的关键在于对竹枝叶的取舍、概括用笔自然、一气呵成表现竹的无限生机,浓淡相映、妙趣横生,由竹入器,愿做文人雅士眼中种意蕴,一种生活态度做一款盖碗由画面到器型,釉色浑然一体的含美来表达这种独一无二的东方艺术,一物或一竹都改变不了生活的现状但是当放慢脚步时,偶尔来欣赏一簇竹,感慨一番古贤的雅好。


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