Author: Zhu Qiang
Work: Liu Fang Jing Le
Capacity: 170cc
Clay: Zi Ni in Huanglong Mountain, Duan Ni in sand
The plum window and the moon shadow are both clear and strange,The first garden pavilion is quiet and happy.
The grains of Qiongpu pearl round sand,The stars are bright and the shadows are mixed.
The whole device is made of pure sand, and the body is rounded and rolled into a square.Six hidden lines flow out from the top of the pot button, pass through the cover, cover edge, and neck of the pot mouth, and the body of the pot is retracted to the foot of the pot.
The lines of the work are clear and neat, although the square is like a circle, even though it is round, it is square. In particular, the dome of the pot lid is protruding, and the whole pot is ready to go.The color purple is pleasing to the eye, and the reading is delicious.
The purple mud is covered with sand, and the layers overlap, which is comfortable to look at, and it is as bright as a galaxy. The body of the stroking pot has a texture of silk, deep and solemn, elegant and dignified, just like the black background of the vast universe, densely scattered and scattered with bright stars.
The work outlines the bone and rhyme with a few lines, and the shape is simple, round, dignified and lively. The proportions are harmonious, with softness and rigidity, chanting the tranquility and emptiness in the simplicity, although it is simple, it likes its hidden meaning.
Zhu Qiang, born in 1993, entered the purple sand industry in 2009 to systematically learn the art of making purple sand. He studied under Li Ni, a master of arts and crafts in Jiangsu Province. The works are mainly pure handmade square utensils, the overall shape is rigorous and solemn, and it is an excellent inheritor among the new generation of Zisha people.