Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
Chai Shao Teapot
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Chai Shao Teapot

Regular price
$285.00 USD
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$285.00 USD
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Chai ShaoTeapot

DESCRIPTION: Wood-fired works include stone explosions, iron points, hand marks left by Lapi, stone pits, dragonfly eyes melted by stone scratches, deformation, etc., which are not defects. Customers who care should ask me to consider before purchasing and place an order.

White moves forward and backward in the relationship with surrounding colors. We want to capture the moment of observation and control this effect, which is our effort behind it.  Sometimes staring at it for a long time, it seems that there is everything in this blank space, which is calm and full of tension. In the whiteness and nothingness, we have more room to fill ourselves. This white pot has a wide mouth and a small belly.  It is also practical and convenient for pouring tea, and large-leaf tea can also be very stretchy.  It is easy to control all kinds of tea, the ash is plump, the hand feels moist, and the firing temperature is high, so you don't have to worry about adsorbing the aroma of tea.  .  It is beneficial to tea. Due to the high temperature and tight texture, drinking high-flavor tea such as rock tea can also perform well in tea soup.

Size capacity: 100-150 ml (each one is slightly different, there are errors in manual measurement) A fine, handmade Chai Shao Teapot. The glaze color of the gaiwan is originally a natural gray, which is then fired for three days and three nights inside the firing pine kiln. In fact, the charm of firewood burning lies in that every glaze color in a kiln is resigned to fate and truly based on luck.

 

MATERIAL: For a fully handmade wood-fired ceramic (Chai Shao) to be made, it takes seven days of processing of the old mud. It is then followed by one day of mud drilling, one day of billet drawing, two days of billet airing, two hours of billet repairing, five hours of plain burning, eight hours of abrasive glaze burning, one hour of bottom filling. Furthermore, it takes 20 hours of full kiln exposure, 60 hours of firing in the kiln, and another 60 hours to cool. The excellent hand-painted mud is then burned in an electric kiln to perfection for 12 hours, only after being hand-painted by a skilled artist. Overall, a total of 412 hours of labor with a mere 50% of the final output from the kiln passing the final inspection. Indeed, this a piece that relies heavily on luck and dedication of the artisans!

 

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